The cast of Double Star includes daring space pilots, scheming politicians, deadly Martians, and an Emperor, but they are all effectively backdrop compared to the narrator and main character, Lorenzo “The Great Lorenzo” Smythe, an actor so good he literally becomes another person. I don’t think it’s hyperbole to say that Lorenzo is one of the most fascinating sci-fi characters I’ve read about, which is weird, because his “base” personality is that of a selfish xenophobe who thoroughly believes his own hype despite the fact that he’s completely broke – in other words, about as basic as human beings get. But there are a number of contradictions baked into him from the beginning, and as the story moves along, those contradictions multiply. Lorenzo is a washed-up has-been who is also an amazing actor, a conniving louse whose noble qualities draw friends and allies to him, an unrepentant hater of Martians who spends his life fighting for their political rights. He is Lorenzo Smythe, but not really, because he is actually Lawrence Smith, but not anymore, because now he’s John Joseph Bonforte. His identity is rewritten, folded up, torn to pieces, and taped back together into a form both totally familiar and unrecognizably alien. How could he be anything but fascinating? He is the ultimate thespian of the future, a character whose entire raison d’etre is the act of transformation. He is change incarnate.
Aaaaaaaaand we’re back!
If you’ve followed this blog even a little, or heard me constantly plug it on the Unspoiled: Dark Tower podcast, or even just had a thought, maybe one time, along the lines of “hey, I wonder if Miles is ever going to write anything new for Universes of the Mind again,” please accept my most sincere apologies. I am aware that we are rapidly approaching the first anniversary of this blog, and so far I have finished covering a grand total of three (3) Hugo-winning novels. I am also aware that I haven’t posted on this blog since March, meaning it’s been a solid six months since there was anything resembling new content here. And I am most certainly aware that the content I published in March was supposedly supplemental material about the Shannara series, which, as much as I love it, has never won a Hugo Award.
I am aware of all that, and I’m sorry, and I promise it won’t happen again. Mostly because I only plan on getting married the one time.
So, with apologies taken care of, let’s jump right back into the list of every novel to win the Hugo Award! Where were we again?
Let’s see…there was the one about murder in a telepathic society, that was really good…the one with all the book-burning isn’t good as everyone thinks, but it’s still okay…oh man, the one that probably got a Hugo because of scientology, that was terrible…ah, yes, here we are. The fucking promised land.